Name: Hans Zimmer Percussion
Brand: Spitfire Audio
SKU: SMC0243
Availability: InStock

Hans Zimmer Percussion

The ultimate cinematic drum sample library

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Spitfire Audio joins forces with the biggest name in film scoring to produce the ultimate drum sample library for cinematic percussion. Featuring the ensembles and solo instruments used by Oscar-winning Hans Zimmer in his blockbuster scores, we’ve drawn on his years of creativity and studio experimentation to give you all you need to create epic drum composition.

From tombeks to taikos, playing from whisperingly quiet to thunderously loud, we’ve worked with Hans’ Grammy award-winning team to capture the highest quality recordings, featuring the same players in Lyndhurst Hall at AIR Studios where Hans records his biggest scores, all mixed and produced by the man himself.

Produced by the master of film scoring
Hans Zimmer is one of the most successful, influential and prolific film composers of his generation. Having won countless awards including Oscars, his scores for films including Gladiator, Inception, Interstellar, The Dark Knight and Dunkirk he is considered one of the greatest living film composers. Hans has defined not only a compositional style, but also a production approach and sonic innovation that has influenced a generation of composers.

Made in close collaboration with Hans Zimmer and his team of Grammy-winning engineers, musicians and technicians, we present Hans Zimmer’s expert, authorised take on cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation; the same world class studio, musicians, instruments, signal chain and engineers, overseen in every detail by Hans himself with the same attention to detail and perfection, coupled with Spitfire’s pioneering technology designed to offer you ultimate creative customisation.

The blockbuster sound
As in many of Hans’ scores, this library is recorded in Lyndhurst Hall at AIR Studios via an impressive signal chain: 96 rarefied microphones into Neve Montserrat preamps, into the world’s biggest Neve 88R desk (which was exhaustively regained at every dynamic layer for optimum signal quality), via a dual chain to HDX and Prism converters running at 192k. We have recorded the drums and articulations each with up to 9 round robins and 6 dynamic layers per hit, resulting in well over 30 TB of raw material from these sessions alone. The library consists of close, room and ambient perspectives mixed by Hans Zimmer himself.